GARMENT CONSTRUCTION 1-4, REPETITION INTO UNDERSTANDING
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Garment Construction 1–4 was where things stopped feeling like a hobby.
Up until that point, I was learning techniques. Practicing. Following instructions.
Then suddenly, I was just… making.
Not one garment. Not two.
Somewhere between fifteen and twenty pieces came out of this stage — trousers, wrap skirts, layered skirts, collared tops, fitted shirts, a lined skirt, a sundress, even a corset. My dining table and sewing space were constantly covered in fabric and pattern pieces.
At first, I was nervous before every new step.
Invisible zippers felt intimidating.
Set-in sleeves felt risky.
Waistbands had a way of showing every tiny mistake.
I unpicked a lot.
Sometimes because it was wrong.
Sometimes because I knew it could be better.
What changed wasn’t that I suddenly became perfect.
It was that I stopped being afraid of the process.
Pressing became slower. More deliberate.
I started checking the inside of the garment as carefully as the outside.
I began noticing when something “felt” off, even before I could explain why.
That awareness didn’t come from talent.
It came from repetition.
Garment after garment, I started to trust my hands more. I stopped rushing just to see it finished. I let construction take the time it needed.
When I was named Student of the Month and a few of my pieces were placed in the school window, it felt surreal. Not because they were elaborate designs — they weren’t. They were structured dresses, tops, garments built properly. This was one of many pivotal moments during my time at fashion school.
But seeing them there made something click.
They looked… solid.
And that word meant more to me than “beautiful.”
Solid meant they were built well. That they could stand on their own. That the work underneath was doing its job.
By the time I finished this stage, construction no longer felt intimidating.
It felt logical.
And once something becomes logical, it becomes steady. That steady, logical approach to construction continues to define every piece I create today.
I didn’t realize it then, but this steady foundation was about to be stretched much further.