FROM CONCEPT TO PRODUCTION
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By the time I reached Illustration, CAD, and Product Development, something had shifted.
I wasn’t just learning techniques anymore.
I was learning how to move an idea through every stage — from concept to something that could realistically be manufactured.
Illustration – Starting With Vision
Illustration was a short, intensive week.
We learned to draw the Coqui — understanding proportion, movement, how fabric falls on a figure.
It wasn’t about perfect art.
It was about communicating an idea.
For the final project, we designed a collection around the Coqui.
That was the first time I saw a concept form visually before it existed in pattern or fabric.
And what mattered most to me?
I went on to actually make one or two of the designs I illustrated.
That felt like a full circle moment.
From sketch to reality.
Browzwear – Precision in Pixels
Then came Browzwear.
And if I’m honest — it was frustrating.
It didn’t feel intuitive the way draping did.
It didn’t feel controlled the way drafting did.
It was technical in a different way.
But it forced precision.
Digital garments don’t hide mistakes.
Seams must align.
Balance must be correct.
Construction must make sense.
It showed me how the industry visualizes garments before sampling — and even if it wasn’t my favorite process, it stretched me.
It reminded me that design doesn’t only live in fabric.
It lives in files.
Product Development – Thinking Like a Manufacturer
Product Development brought everything together.
We had to design an outfit.
Then draft it.
Then construct it.
Then build a complete tech pack as if it were being sent to a manufacturer.
Every detail had to be correct.
Measurements.
Seam allowances.
Fabric information.
Notions.
Construction notes.
Costing.
Category.
Flats.
Specification sheets.
There was no room for approximation.
If something was unclear, a factory couldn’t produce it.
That responsibility changed how I approached design.
It wasn’t just about creating something beautiful.
It was about creating something reproducible. That production mindset—moving from vision to technical execution to finished garment—shapes every collection I create today.
You can read more about my complete fashion school journey here.